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Henri Bergson

The Creative Mind: An Introduction to Metaphysics

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“The more we turn toward this creative will, the more the doubts which trouble the sane and normal man seem to us abnormal and morbid. Take for example the doubter who closes a window, then returns to verify its closing, then verifies his verification, and so forth. If we ask him what his motives are he will answer that he might have opened the window each time he tried to close it more securely. And if he is a philosopher he will transpose intellectually the hesitation of his conduct into this question: “How can one be sure, definitively sure, that one has done what one intended to do?”

But the truth is that his power of action is defective, and therein lies the evil from which he suffers: he had only partial will to accomplish the act, and that is why the accomplished act leaves him only partial certitude. Now can we solve the problem this man sets himself? Obviously not, but neither do we set the problem; therein lies our superiority. At first glance I might think there is more in him than in me because we both shut the window and he, in addition, raises a philosophical question while I do not.

But the question which in his case is superadded to the task accomplished represents in reality only something negative; it is not something more, but something less; it is a deficit of the will. Such is exactly the effect certain “great problems” produce in us when we set ourselves again in the direction of generating thought. They recede toward zero as fast as we approach this generating thought, as they fill only that space between it and us. Thus we discover the illusion of him who thinks he is doing more by raising these problems than by not raising them. One might just as well think that there is more in a half-consumed bottle than in a full one, because the latter contains only wine, while in the former there is wine and emptiness in addition.”